Padre Padrone (1977)

Padre Padrone (1977)
  • 3760
  • Not Rated
  • Genre: Biography
  • Release year: 1977 ()
  • Running time: 113 min
  • Original Title: Padre padrone
  • Voted: 3760

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

1Omero AntonuttiFather
2Saverio MarconiGavino
3Marcella MichelangeliMother
4Fabrizio ForteYoung Gavino
  • disturbing film with tons of poetry by 7

    Vittorio and Paolo Taviani are surely one of the most important Italian directors ever and just like all the great masters they often have their not so brilliant movies, but "Padre Pardone" certainly belongs to the best they ever made. It's all based on a true story and sometimes people tend to forget that there are places that God forget. In an agricultural area in Sardinia some folks pretend it's better to take care of the sheeps rather than scoring well at school. The young Gavino (Fabrizio Forte) goes to his school but one day he's father comes in the classroom telling him that his schooldays are over and that it is time to take up his duty as shepherd. The brothers Taviani are masters in filming the useless factors of the job as we see a young boy who absolutely has no interest in the job he got by his father, and we see some explicit scenes in where the almighty father beat his children. Schoking that's for sure and if the Gavino grows older we see his hunger to learn something (the poor boy couldn't read) as soon as he must enter the world of the army which is in total contrast with the world of the hills where sheep run. The story itself is rather hard to bear and you often shake your head by disbelief but still the Taviani-brothers are opting for a sober and poetic approach of the problem that it looks like you're viewing some touristic documentary of an area that God forgot. "Padre pardone" is certainly the kind of movie that will have both its lovers and enemies but having said that, you know that "Padre Pardone" belongs to the classic section of the Italian cinema that will never be forgotten.

  • Tyranny is not so easily left behind by 7

    "Padre Padrone" (Italian, 1977): Directed by Paolo and Vittoria Taviani. A Sardinian boy grows up under the crude and violent shadow of his sheepherder father. Family life is a combination of mind-numbing boredom and crackling moments of fear. The years pass, and almost by accident, the boy (now a man of 20) becomes involved in the larger world. Here begins his struggle to break away from the tyranny of "Father/Master", and make use all that awaits him? but the teachings of his father are NOT that easily left behind. It's an interesting psychological story shown in typical Italian 70's fashion ? low production values, lots of overdubbing, and only a slight interest in creating an artful shot (no, most Italian films are NOT Fellini or Antonioni). However, THIS one is worth following. The payoff IS in the story and its message. It's a strong film that reminded me of "Pelle the Conqueror". And a second night of pondering: "Padre Padrone" ("Father Master") is a truly unique look at the relationship between fathers and sons. It's not a pastel image, that's for sure, but it raises some very interesting questions that I think most sons will recognize at some deep, unspoken level. As is always the case with a smart work of Art, the visual level is but the entryway to a broader topic which allows more viewers to relate. No, WE'RE NOT Sardinian, sheep herders, uneducated, or dirt floor poor. No, our fathers probably did not behave exactly as this father did...yet nearly every one of us can sense that the feelings we held towards our fathers (as boys) are somehow addressed in this film. He held the power. To get "out from under" his looming protections and threats, we had to leave. There was no other way to break free of the family dynamic. Upon return, for a visit or temporary living circumstance, we found he had not changed - no one in the family had changed - and the certainty we had that WE had changed while away, was only a facade days away from cracking or collapsing. What did we do? We left again, returned, left, visited, avoided, watched, and waited for "things" to change to SUCH a degree, we could now all settle into a new set of roles.

  • Passage to Siligo by 7

    It is a rarer case that a film changes one's life, at least for a while. 'Padre Padrone' did it to me. The film made such an impression to me that first I read the book. Therefrom I got the details about the author's home village Siligo and its environment. As a child I was used to spend my holidays with mountain farmers, helping them here and there, thus I was familiar with rural and agricultural life.

    At the time I saw 'Padre Padrone', I was 20 years old, was used to do bicycle trips in my home country, but had never gone abroad. Sardinia was only one day by railways and one night by ship away, so I decided to go there.

    The first original place I came to was Sassari, where the author got his higher education and was also a professor. Some roaming through the hills brought me to his little village, Siligo. At the entrance, I noted an older man steering a cart pulled by a mule. This was not ordinary, because all other peasants used small and cheap motor-operated vehicles. Ledda's father being described as tenacious and closefisted, it is quite probable that the observed was him. But I didn't dare to ask him.

    Up from the village, I pedaled through family Ledda's pasture called Baddevrústana, where I noticed again a being standing on a trail: another mule.

  • The hard life in rural Italy. by 7

    The life of an Italian peasant who was forced out of school by his father so as to be a shepherd in the remote country side. The loneliness and the father's brutality has an effect on the boy who grows up to be a late learner in reading and writing. This new knowledge he uses as a weapon against the everlasting battle with his tyrant father. The first half drags on but the second half all comes together.

  • The childhood of a young shepherd in sardinia or the universal story of mankind by 8

    Padre Pardone, the master piece of theTaviani brothers tells the story of the coming of age of a young illiterate shepherd who's confronted to the tyranny of his father and the inevitable rebellion that happens when the child becomes a man. This movie which tells the true story of the writer Gavino Ledda gives an universal vibe. The relation between father and son is based on love, authority and violence. More then just a family portrait, Padre Padrone is about society. Not just the modern italian society, but each society at each time. This story is about changes and conflict between generation and mentalities. The movie has some really powerful scene like the one when the fathers cry with his son in his arms. The score is composed mainly of sardinian musics, The sardinian score is heartbreaking, just like the movie is....

1Mario Masinicinematographer
2Egisto Macchicomposer
3Paolo Tavianidirector
4Vittorio Tavianidirector
5Giuliani G. De Negriproducer
6Gavino Leddawriter