- Average heist movie 4/25/2002 12:00:00 AM by LuboLarsson
This is the sort of film that will do if nothing else is on but not much else. Its a heist film with Kim Basinger and Val Kilmer and everything in it has been done before and done better. The bank robbery at the end is a bit of a let down because it just seems too easy. It was directed by the man who brought us the fabulous Highlander, but sadly also the truly awful Highlander 2, this film is somewhere in between. The only plus points are the always great to look at Kim Basinger, and Val Kilmer in a different sort of role to his usual stuff. I think Kim Basinger is a great actress but like most females in Hollywood seems to struggle to get decent films to star in, not counting the awesome LA Confidential of course. All in all a very average film ***5/10***
- Pleasantly Surprising 7/4/2007 12:00:00 AM by rpm216
I'm just a hair or two from labeling the effort above average, though this movie can still supply sufficient entertainment. Were this film to be remade today it would not need much to attain the status of Above Average. I would however abstain from casting the lead with anyone with similar physical attributes as Ms.Basinger only because to date who robs banks and looks like that!! Very "clean" by todays standards for most genre. Terry Stamp plays the villain with just a tad less venom than IS required for his role, he fall short of making me hate him enough, and Val Kilmer does a superb job with portraying his character. All in all absolutely worth the 1 hour & 45 minutes.
- I guess there is only one good reason to watch it: Kim Basinger 10/28/2004 12:00:00 AM by philip_vanderveken
This is the sort of movie that will do if nothing else is on, but don't expect too much of it. I guess there is only one good reason to watch it and that is Kim Basinger. I really can't come up with something better.
This is a typical Hollywood bank robbery movie. Nothing wrong with that when it is done right, but The Real McCoy never gets above the average in the genre. The characters as well as the script are average and very shallow. You never get rid of the feeling that you know what is going to happen ... only to see a few minutes later that your feeling didn't betray you.
The bank robbery is perhaps the biggest disappointment. It's unbelievable how these top criminals always seem to know how to avoid every security system thanks to all the gadgets they use (they would make James Bond blush like a little school girl). And then of course we still have the security guards that look like a bunch of idiots that just want to be fooled. Spice this up with a love story that never really takes off and a lot of emotions about a little boy and you know what kind of movie this is.
I just wasn't thrilled after seeing it. I reward it with a 5/10. It just isn't worth more. Too bad.
- Bank robber forced into another job to rescue son. 4/3/2008 12:00:00 AM by alexcams
Not sure why this film gets trashed as much as it does, since it's pretty good. It's worth watching for the cast alone -- Basinger, Kilmer and Stamp. But it must be said that the British film upon which it's based is better. That would be Bellman and True (from an old English song) starring a cast of people that you probably never heard of, headlined by Bernard Hill as the computer geek who has to go along to keep his son safe. Bellman and True also serves as something of a time capsule, taking us back to a grotty, depressed and depressing London that is barely visible in British films any more. We can probably put the change in tone down to the Four Weddings effect. The comparison of these two movies serves as an excellent example of one of the more interesting questions of popular culture: why are the Brits generally so much better at movies that feature crime than Hollywood? Think of Cracker, State of Play, Prime Suspect, Behind The Lines, and Mobile.
- Inessential yet Unoffensive Heist Yarn 1/3/2010 12:00:00 AM by tehhaxxor
As a director of music video clips, Russell Mulcahy is something of a living legend. Aside from directing the first video MTV ever aired (back when they did that sort of thing), he also helmed the clips for acts like The Rolling Stones, Elton John, Queen, Billy Joel, and a myriad of other artists. It may take a handful of film class periods to wholly examine his prolific work in the eighties.
As a film director, however, his work is much more difficult to digest. "Ricochet" and "Resident Evil: Extinction" are able actioners, but his only real classic is "Highlander". Needless to say, it's classic of the most cultish variety, which was probably inevitable considering lead Christopher Lambert is as wooden an actor as a totem pole. I won't even get into wild misfires like "The Shadow" or low budget television tripe like "The Curse of King Tut's Tomb". It's a tall order to get excited about a director that foists that sort of work on an unsuspecting public.
It was quite a surprise, then, to find that "The Real McCoy" stands among some of Mulcahy's best film work. The plotting follows a rather formulaic heist tale, which also requires serious suspension of disbelief on the part of the audience as we're supposed to believe Kim Basinger is some sort of master thief. Val Kilmer portrays an amiable yet inept robber while the great Terence Stamp is sadly wasted as the local crime boss. He's essentially playing the same role Ben Gazzara did in Road House, except Englishman Stamp was forced to adopt a horrific Southern American accent for his role.
Despite a predictable plot and somewhat dubious casting, "The Real McCoy" is an entirely enjoyable heist film in the same vein as The Score. Granted, neither are particularly memorable, yet they make for ample entertainment on a rainy afternoon. Highlights include Kilmer's singularly hilarious botched convenience store robbery and the intricate, if entirely implausible, bank heist at the climax of the film.
In summation, if you're able to believe Basinger as a world-class thief who handles with equal aplomb both air compressed second-story apparati and complex computer wizardry, you may enjoy this film. If you can accept that Terence Stamp is attempting to effect some kind of Southern American accent and has absolutely no room within the script to even pretend to act, you may enjoy this film. If you can stomach a vastly dated, ear-grating score that was composed almost entirely on a mid- eighties era synthesizer, you will almost certainly enjoy this film.